Following the Olympics in 1964, there was a great
development in the urban parts of the city. I found it interesting hearing how
much the Olympics had actually influenced the city into what it is today. The
buildings that were added in the years leading up to the Olympics were the
fabrication for the city itself. The intentions were to improve the city,
modernising it from what it was before, showing off the city and country to the
rest of the world. Architecture which had been used in the games was ‘tokens of
modernity’. Many developments were made, especially in the bullet-train, which
runs through Japan. In 1964, the focus was the capital, which now was very architecturally
diverse compared to other cities at the time.
After the redevelopment, Japan began to hold major sports
events, which previously were not approved as it was too commercialised. This
was a way in which the countries popularity could be vastly improved. I could
relate this to today with the Olympics as they are now. Each country that holds
the Olympics sees it as a way of being able to show off their country to
everyone else in the world.
The work that was created for the games themselves is of a
very modern style, with the Deconstructivist movement coming into play in the
late 20th century, a post modern
movement which was held in an exhibition at the MoMA in 1988, was
something of its time. Very rectilinear shapes were used, with different angles.
It was more a type of art that architecture and the artists of this movement
were trying something that had never been tried before. Zaha Hadid was someone
that I could relate to this style of work as I felt a lot of the shapes used in
the 1964 build was closely related to her work.
The gymnasium, which was built at the time, grabbed my
interest the most. I felt like it was extremely ahead of its time and could
have potentially been built today. There could be links made with this style of
architecture and the work of people such as Mies van der Rohe due to its very
rectangular appearance.
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